If you’re pressed for time, scrub ahead and start watching at the 27:49 mark to see:

  • Ian Morrison proclaiming that there’s insufficient bandwidth to watch television online. O RLY? Here, let me Google that for you
  • Norm Bolen talk about increased ad revenues from US programming, like that’s a good thing for Canadian content…?
  • (best of all) Norm’s head on the verge of ass-ploding as #copyfight superstar Michael Geist talks about his own TV viewing habits.

If you’re not familiar with the current fee-for-carriage war between cable companies and broadcasters in this country, this essay echoes my own feelings on the matter.

Anyway, another win for The Agenda!

Posted via web from Andrew Currie on Posterous

Click here to watch video.

Considering that text messages cost my carrier absolutely nothing to provide, I find it a bit ridiculous that when abroad I have to pay an additional ¢75 per sent message, or purchase a temporary SMS travel package in advance.

Fortunately, there’s another, better way. Check out the video above to see FishText in action. It’s a Java app so it’ll work on pretty much every handset out there, even your stupid iPhoneand if you don’t want to pay for data roaming it’ll even work over WiFi.

How brilliant is that?

Posted via web from Andrew Currie on Posterous


Hollywood has claimed that they don’t know how to market the film or that it doesn’t have an audience, and what BitTorrent has done in the last four days is prove, unequivocally, that Hollywood is wrong.

First thing, here’s the direct link to the BitTorrent file so you can start downloading your own copy now. If you don’t know how BitTorrent works, call me up and I will burn a disc of the film and walk it over to you.

It’s that good.

Furthermore, it stands to be the first major success of BitTorrent as a distribution model. It’s not the first — Nasty Old People will go in the record books for that — but with upwards of half a million downloads it’s now one of the top 20 feature releases in the world. And all without Hollywood’s help.

At this point the filmmakers no longer need Hollywood. Instead, they’re appealing directly to their audience to monetize their efforts:

We’re not looking to get rich, but would like to pay back our investors and the enormous amount of personal debt we’ve gone into making the film. We’re also not looking to make Hollywood films (Jamin has had several opportunities) and plan on continuing the march of making fiercely independent films. In order to do that we have to count on the power of the people, eyeballs all over the world and torrenters to throw our film a few bucks apiece. It’s the indie film model of the future and we appreciate each and every person who takes the time to watch our film. It appears we’re all rebels here… so let’s wave that flag proud.

This is the second reason why you need to see this film. The first is because it’s fucking fantastic!

Posted via web from Andrew Currie on Posterous